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Kris
19 December 2009 @ 01:12 pm
Although I'm not one to gloat, and I did swear not to write about this subject ever again, I can't help but note with some glee that my certain long, detailed essay on the unrealistic disaster that is ShikaTema did not go to waste.

First, let me paint the backdrop. Every year, ShonenJump hosts something called "Jump Fiesta" in Japan, which seems to be a cross between a convention and huge advertisement. The authors are given a q&a with fans and asked various questions. They are also questioned by the voice-actors of the Anime (sorry for using the english versions of those thing).

One of the questions asked was about Shikamaru's love-life, to which Kishimoto replied that it is not what he wanted for Shikamaru.

Although there is a strong possibility that he actually meant all romantic entaglements, there are reports (currently uncontested) that it was asked specifically if it would be "with that Suna girl."

Whatever the outcome, if the person who asked actually referred to ST or not, it doesn't matter, especially since he didn't say that he would push that to the background. It seems that he considered many of the things I did (maybe XD) and decided that those two together was a no-go.

I actually fall into the camp of those who believe that it was supposed to have happened in the beginning, but it was one of the ideas that he realized wouldn't pan out.
 
 
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Kris
06 December 2008 @ 01:43 am
7 Seeds: Manga with Promise

I haven't posted anything up in about a month, and that is not because I haven't written anything. I actually have three essays that I'm working on, although I will probably abandon one due to lack of interest.  It was about SasuKarin and it will probably remain half-finished. After all, I've had my fill of Naruto pairings in general and I don't really want to get into shipping wars.

Although I did write two essays -one of them rather lengthy- on the subject, they both concerned a particular character I like very much. It was my interest in the character that drove me to write them, not any interest in the subject, which I find very tedious and boring. After all most pairings are based on conjecture, visual preference, self-actualization, fantasies, and several panels of manga (at most).

There is a reason I read shonen and seinen, and not even all seinen, and that is because Romance is in the back burner. The Romance titles in seinen I tend to skip over unless the series contains a  special "charm" (but even then I abandon most half way).

What does this have to do with a review of a manga?

You see, the manga I am introducing today is shoujo. It is written for girls.

Ordinarily, I stay far away from such titles because they tend to lack one thing: plot. I am not interested in how generic cute girl/virgin A gets together with pushy, worldly, high school dreamboat B. I read such titles for laughs when I'm bored. Sometimes though, my amusement is tempered with fear. I fear for my gender, especially any wide-eyed Japanese girls who read about these dominearing, controlling, rapist boys and may be impressionable enough to be negatively influenced.
But I digress.

At first glance, 7 Seeds was a title that I was not inclined to take seriously because it is a member of the badly-drawn, estrogen-infested drivel that is shoujo. Yet the plot drew me.

The gist of the story, without giving too much away, is a survivalist tale. A girl wakes up on a ship that is about to sink, with no memory of how she got into it, and is hauled into a life boat by a stranger.  There are two others with her and her rescuer, making them four. They end up stranded on an island and go through a series of horrifying adventures, with hope of ever getting home becoming dimmer by the day.

That doesn't sound like shoujo I know.

It also contains weird creatures such as giant man-eating insects, man-eating plants, killer bunnies, guys that look like swamp creatures, and oh, dinosaurs  - kinda.  Being a sucker for survivalist fiction (read Robinson Crusoe, Swiss Family Robinson, Island of the Blue Dolphins) , movies, and games (Lost in Blue series), I couldn't resist. (I am also proud to declare that I never watched an episode of Survivor willingly. NEVER.)

At first I was not disappointed. Despite the minimalist art I despise and the over-use of internal monologues, it deals with the mundane every-day problems that are faced when in that situation adequately. What to use for toilet paper? How does one make fire? How does one forage for food? These things are dealt with in some detail at first, but the detail is lost later on in the series and I became disappointed.

However, where the survivalist aspect diminished, the internal conflicts and new social heirarchies in that new world became the forefront. This was interesting as well and I read on, engrossed in the tale of each "seed." 

One particular arc was so beautiful, dealing with the very true nature of loss and death, that I was deeply affected.

However, it didn't take long before the series started to rear its very ugly head. Indeed, the seeds (heh) of its demise were sown all throughout the tale, from the beginning.  I chose to ignore the signs as the tale progressed because I was too interested in the story (and I hoped my instincts were wrong). But as the story continued, it became harder and harder to ignore.

Before I get on with the rest of my review, two things: 
1. It's not done. Maybe the author will do something unexpected.
2. I hate shoujo. I'm biased. Therefore, if you like this stuff, you may enjoy it. I do not.

At any rate, these are things I do not want to see while reading a survivalist tale: 

1. Page after page of high-school flashbacks dealing with a relationship.

If it had been done once, I wouldn't complain, but it wasn't. I don't need to be told more than once -in detail- about how much this character misses said boyfriend/girlfriend and how this significant other was the most important thing in said character's life. I want to know about what is going to happen in the future. By all means, touch up on the past, but don't let me wallow in it with the characters.

2. Declaration after declaration of how he/she just can't live without said person in his/her life.
3. Multiple attempted suicides with above motive.
4. The inability for characters to move on from past love affairs.
5. Obsessive, narcissistic, shallow, melodramatic drivel.

And this is what gets me with most Shoujo/Romance. People move on with their lives and move on to someone else. The pain of love lost does not burn as strongly a year later as it did on day 1. Why is everyone fixated on the idea that someone has to love one person forever and ever, even with they're in high school? I mean, it's high school.

Another thing that I don't understand is how someone can be the meaning of your life. If oner person is the only reason you exist, then you live a sad meaningless life. Such behavior should be discouraged and people who are that shallow mocked outright in literature. But we don't see this -ever.

At any rate, it turned from a good survivalist tale into an excuse to write some love-will-last-forever-and-time/distance-will-never-tear-a-true-love-couple-apart-as-long-as-they-believe-in-each-other-and-fate-will-always-find-a-way tripe. The fact that she, the author, has given these characters the inability to move on in an otherwise realistic setting, and the fact that everything else has taken a back seat to this romantic entanglement, and the fact that both characters share this obsessive, suicidal, hopeless tendencies make me wish I'd never picked up the manga in the first place. 

Now, let's compare it to another scene that you may remember from one of my favorite movies, Castaway. For those that don't know, it is a modern day Robinson Crusoe, with Tom Hanks playing a man who got stranded in desert island after surviving a plane crash. In one scene, Tom Hank's character retells the time he almost kills himself after realizing his wife probably moved on with her life.  He makes a dummy and tests out his make-shift noose before using it, out of  "cowardess." 

After finding that he would have broken his spinal cord and not died immediately, as he had hoped, the guy loses his nerve and cries out in despair.

Why is this acceptable and not the above mentioned? 

1. The story does not focus on this relationship exclusively
2. He was in the island for two years, not a month, when he realized this and he attempted to commit suicide once
3. His despair came when he contemplated losing her on top of losing everything else he had known in life.

That is to say, it wasn't just her. It was the fact that he had also lost everything, and it was only when he realized that he had lost her as well that he lost his reason for living. She was the one thing that kept him going, but she wasn't the end-all be-all of his life.

Also, it wasn't over played. It was a poignant moment, made even more so because he does not spend the entire second half of the movie contemplating her loss. Emotional heartstrings are most strongly pulled when done sparingly.

And you know what? He did lose her in the end, but he moved on.

At any rate, despite the negative tone of the review at the end, this manga is very well lauded and praised. I recommend that those who love romance to read it, since there will be plenty of it and it will have plot.

For those that don't, perhaps you should give it a try. Maybe I was a little too hard on it. As for me, I will be sticking with the series, hoping that it will get better and loses some of that melodramatic streak.

As in writing my essays, I become bored when there is too much romance involved. As I became tired with pairings, so I became tired with this tale. Although those who enjoy the former will probably be engrosed by the later.

That is all.

http://www.onemanga.com/7_Seeds/
by Tamura Yumi

This series is not yet licensed.

~OP 


 



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Kris
29 September 2008 @ 11:30 pm

As of Naruto chapter 418
More geek stuff of no consequence. ;p


ShikaShiho: Cracking the Code.
(Will vs. Fate)


The Unsinkable ShikaTema: Fate 

For the longest time, about three years, the consensus in the fandom has been that Temari will absolutely end up with Shikamaru and all else was heresy. Those that did not agree generally paired him off with Ino, who had some hope. There were a few heretics who paired him off with Sakura or even Hinata. But those pairings were considered "wishful thinking" by most.

There seemed to be plenty of evidence for this. Not only do we have the conversation between his father and Shikamaru in Part 1, which implies that Shikamaru is 'fated' to be with a “troublesome woman," (and Temari is considered quite troublesome), but we also have the infamous spread in the beginning of Part 2, where Shikamaru and Temari are shown walking in the same posture as his Sensei Asuma and his girlfriend Kurenai where shown in Part 1. That was the clincher, I believe, and it was considered the main pairing with him every since then. Even the anime has played on this quite a bit, stretching the scenes between Shikamaru and Temari in the beginning of Shippuuden and filler.

Read more... )
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Kris
21 July 2008 @ 08:29 pm

I hate it when authors introduce new characters in the middle to the end of a series/story. 

Not only does it seem to indicate that the story isn't really pieced together well, but it also seems to neglect all the other characters introduced, and it really sucks if the new character is far and away cooler than all the other characters. XD 

Now, villains are different. Villains get introduced after the other one has been defeated. This happens all the time. The old villain becomes old news and so a new "bigger" villain takes over. This villain is usually the man behaind the man and the old villain's Boss. The true villain. 

Or...he's the boss villain who sends his minor villain hench men to do his dirty work. 

But it's different with heroes. Heroes and their possie are established early in the series, and should stay that way. Once in a while, you'll get some guy join up in the middle, especially if the guy was a villain and has a change of heart. Even minor characters, if they're introduced later on, are only there for a brief period of time and for a specific purpose. 

This is especially true with "Meandering Heroes."  You know, the ones that travel all around and do good works/kill bad guys/heal things/fight strong opponents, etc. 

But  Static Heroes, that is heroes that concentrate in a particular location and generally don't move from said location, are not meant to meet new friends. 

Case in point: Shiho. 
Who's that?
She's a code breaker introduced about four chapters ago in Naruto. 
What's the problem with that?
Well, I don't think there is anything too wrong with that, or would be, if she was just a code breaker that happened to help them for a bit. 

Problem is, she was introduced as having a connection with one of the main characters (Shikamaru) through a flaming crush. Not only does she have a flaming crush, but she got her own cover page. That basically means that she, although minor, is a real part of the cast.  Later, she joined the group to visit Tsunade and even had a few lines (which is more than Sai, a character introduced years ago, has gotten in months). 

WHY? WHY DID HE DO THIS?

The biggest problem is that I really liked her. Nerds are win. Nerds who have crush on Shikamaru are double win, since I have a crush on him too.  She's also cute. 
She's chipper, nice, smart, and assertive without being scary (like another fangirl that will remain unamed). I feel in love with her at once. Why couldn't he have introduced her in Part 1?

So, it sucks because she is a new character that outshines others who have been there for years and years and  who will probably be forgotten just like the other characters have been forgotten, and whose love of Shikamaru will probably go unrequited. 

Grr.

Useless. Kishi is such a tease. 

But it's bad form in writing anyhow. O'm pretty sure Naruto is almost done. It's certainly gone well beyond its halfway point, as the main villains have all been shown, his main rival has gathered a ton of power and is now basically a villain, and he (the main character) has gone off to train in the "ultimate techinque." 

You know how it goes. The series is practically wrapping up and here he goes and introduced a new character...and it's a love interest, no less! I know maybe I'm being nitpicky, but I think its a poor writing sign. This is not the last we'll see of Shiho. The code is not yet "broken" and it is Shikamaru's job to do it. He really depended on Shiho to break it so there is no reason for us to believe he would stop getting her help now. 


Anyway, that's all for now about story writing. 


Hello, I'm Shiho. I'm the new character of Naruto who will promptly be forgotten and ignored just like every other new and side character in Naruto. I serve absolutely no purpose other than cracking codes and being a love interest for Shikamaru. The love interest part will go nowhere because Kishimoto sucks at developing Romance. 

Please don't be my fan. 

Oh, you're already a fan?
Sucks to be you. 

In other news: 

I really miss you.

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Kris
29 April 2008 @ 01:15 pm
Introduction
 
I know that I said “I don’t care about pairings,” and it is mostly true. But I have become rather annoyed over the year of my Naruto manga fandom over rabid NarutoxHinata fans. Now, I ignored them for quite some time, especially because I was once rather biased toward the pair. Truth be told, I’ve never liked Sakura. I didn’t like her when she was a weak Sasuke fan girl in part one, and I don’t like her now that she’s a temperamental medic with a chip on her shoulder in part two. (But then again, I don’t like any of the girls of Naruto as my preference has always been to the male gender, even in terms of friendship and personality.) So the idea of Naruto ending up with a rather violent, unlikable character when he could have a sweet, nice girl that thought the world of him was unappealing. I’ve never thought the shonen manga “violent girl” staple funny anyway, as I call a spade a spade when it comes to abuse. There is no bias here in that sense.
 
At any rate, as the manga wore on it became increasingly apparent that the pairing I preferred was not to be and that the pairing I didn’t care for was the one picked. So, I did what every sensible fan does, and shrugged my shoulders. What is a pairing between fictitious characters anyway? It’s not something anyone should concern himself too much with (although the fact that I have become aggravated enough to take time writing an essay makes such advise dubious). But most fans did not, and it was not surprising. After all, there was little interaction between them. They were merely waiting for a time when Naruto and Hinata would be in close quarters enough for something to occur.
 
The time has come and gone and no indication of any moments between them has occurred. I may be declaring this a little premature, because as of chapter 387, they’re still in the same group, but I feel secure enough now to declare this: NarutoXSakura is canon.
 
The purpose of this essay is to present the evidence that has convinced me, beyond a shadow of a doubt, that there is no question about this pairing any longer. Any hopes that Hinata fans have that she should end up with Naruto should be used for more practical concerns, like world peace.
 
It is not to bring down the pairing or Hinata as a character, as I acknowledge that most people like her. In proxy I will disprove the other popular pairing, SasukexSakura as I will be examining both pairings.

 
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Kris
04 April 2008 @ 09:36 pm
This essay is for my peeps at NMR, NF, and Fanfiction.net. You ordinary friends are probably not geeky enough to read it. XD 

Good for you...seriously! You've saved yourself....

The Problem with Shikamaru and Temari: An Objective Assessment

Introduction
 
First, I will explain what this essay is not. This essay is not meant to disprove its canon status. The pairing is, as far as I’m concerned, established by the bumbling subtleties of Kishimoto. Shikamaru has not shown any interest any one else and they had the exact same pose as the infamous “Asuma and Kurenai” date when first run into them in part 2. However, their reaction was quite different from Asuma and Kurenai’s. Asuma and Kurenai acted embarrassed, whereas Shikamaru and Temari acted perfectly calm and gave a valid excuse when Naruto asked if they were on a date. Therefore, it is safe to assume they weren’t actually on a date. However, I will still take the hint.
 
This essay is not to establish any other pairings, as I think that Ino and Shikamaru have absolutely no interest in each other either and no one else will suffice.
 
I will also add this disclaimer: I have no preference. I don’t care about pairings one way or another. In fact, I despise the whole pairing debate and generally stay as far away as possible from them as I can. But because Shikamaru is my favorite character, I have analyzed nearly every facet of his character. This being one of the biggest aspects of his character has lead me to give this pairing some thought, especially since I delved in to the dubious grounds of Fanfiction.
 
My questions on the validity of this pairing rose from my desire to keep my stories as realistic as possible, while maintaining as many elements that I believe Kishimoto added for each character. If it seems that a character has been set to fulfill a certain duty, for example Sakura as a medic, then I’m not going to change that. (For example, I will not make Hinata a medical ninja. Why? Because she’s not one, period.) If it seems that two people are destined to be a couple I would include it.
 
If Kishimoto wants something, then I believe it is up to me to deliver whatever it his he wants while I borrow from his splendid world in my writing. In that sense, I am a purist and it is from this purist mentality that I write most of my fanfiction (although I do add some things here and there culturally just for fun).
 
As I said, Shikamaru is my favorite character so I wove him into all of my stories, even as a secondary character. In each of those stories, I considered the possibility of ShikaTema because it seems central to him as a character. (Note: none of my stories are romances. They all have romance in them but it is not central.) However, even though I had enough leeway to do whatever I wished, even placing them in high school, I tried to remain as faithful to the realities of their world as I could. After all, what’s the fun in writing about ninjas when I’m going to place them in high school?
 
That is when I began to run into problems.
 
The object of this essay is to present the difficulties such a pairing produces and to challenge fanfiction writers as well as those of the fandom to present rational, well-thought out reasons for this pairing’s viability.
 
This will add to the overall realism and quality of the stories, arguments, and even art present for this pairing. 

EDIT:

I no longer "support" this pairing. Not only have I completely convinced myself against it with this essay (the irony), I decided I didn't care what the author wanted or not. I will follow my preference. However, this essay will still be respectful to those who want the pairing to take place. After some deliberation, I decided only to add this disclaimber as I really haven't really proven anything conclusive, only that to make this pairing realistic, Kishi has his work cut out for him.


Life as Shinobi 

One thing to consider is the realities of a life as shinobi. Depending on the village, each of these elements vary but they all hold true, even in the more liberal Konoha. They do not have the same mindset, rules, life styles, or even right as we do. They are -from their infancy- owned by their village. Let us look at the details.

1. Duty to the village and mission comes first
2. You are a tool of your village
3. Age of adulthood and responsibility, mortality rate
4. Children as investments
5, Economy

  1. Emotions as secondary elements. Emotions are considered secondary elements to shinobi, to the extent that many villages try to completely dispense of them all together. If the individual is nothing but a tool, then having emotions is an unnecessary accessory. Even worse, emotions may completely detract an individual from doing his duty. Not all emotions are constructive. After all fear, insecurity, rebellion, and rage are all emotions that can distract a shinobi from his work. Although Konoha is a little more liberal than most, their shinobi are expected to put their emotions aside in times of necessity, as in the middle of missions. 
  2. All shinobi are duty bound to their village. This duty goes far beyond the work itself. The shinobi is not allowed to leave their village or even retire without express permission of their leader. If they leave without this permission, they are labeled traitors and put to death. In more lenient cases, they are dragged back kicking and screaming. It is interesting to note that Yamato said of Sasuke’s case, “Ok, it’s time to get serious. After all, he’s a rogue ninja who left his village. He’s no different from Orochimaru.” When Lady Tsunade heard of Danzou’s plot to use Sai to assassinate Sasuke, she said, “I never liked him…but he thinks of the village first…” She wasn’t angry at him for trying to eliminate (read: kill) Sasuke as a future threat, she was angry at him for sharing valuable information with their mortal enemy. There is a sense that even Sasuke, the darling of team 7, will not get lenient treatment once he returns, if you read between the lines, despite what most of the fandom thinks. In other words, once you’re born in to village, you belong to the village. This is especially true if you graduate and become a shinobi, which is in essence a solider of a military force.
  3. This point is connected to the previous. The individuals are not seen as human, in the strict sense of the word. They are tools. Each shinobi is a resource that can be used by the village to make money through missions and wage war in times of need.
  4. The age of responsibility is much lower for them than it is for us. They enter the workforce at age thirteen and are made full-fledged adults about the age of sixteen (speculation). This is probably to counteract their ridiculously high mortality rates. It seems that it is a rare thing for most shinobi to live to past the age of thirty.
  5. The village spends untold amounts of money educating a child from the age of six to become shinobi. It seems they supply weapons, books and other office supplies, instruction, jounin instructors after genin graduation (you don’t think Kakashi and Gai are being paid?), and uniforms for orphans. Also, in the cases of orphans, they pay for room and board. This isn’t out the goodness of their hearts. This is an investment they will pay back after graduation by going on missions. It is also interesting to note that most children don’t graduate. If Naruto’s graduation class is any indication, less than half of all academy students make it to the genin stage. Since twelve teams were formed by Iruka of Naruto’s graduating class, but only three passed on to become true genin, it seems the graduation rate is about one in four. That is a seventy-five percent failure rate. Presumably, the failures are the many civilians that populate Konoha and other villages and provide basic necessities and services.
  6. Despite what Kishimoto wrote, that he wanted to create a world that was ‘free of capitalism,’ the shinobi system is capitalistic. Although they are the military force for their country, they finance themselves, unlike most military forces that are financed by taxes. This gives them a sense of autonomy and makes them a quasi-independent state with its own governmental procedures and policies. From what we have seen, the Villages can wage war and form their own treaties without permission from the Feudal Lord. Although how that would change the status with their real country’s leaders, the Feudal Lords, has not been touched. What does that make the shinobi? Well, as we have seen, the village has already spent a great deal of money to educate them, has a ridiculously high fail rate, and see the future genin as an investment. That makes each shinobi a valuable source of income, especially since they will not only be paying back for their own expenses, but also the expenses of the three others in their class who did not graduate, as well the livelihood of the village itself. The loss of even one shinobi prematurely will result in a loss of income due to the money lost educating him as well as the loss of profits the shinobi will produce.
 
Allies and Treaties
           
            Treaties and alliances are a tricky thing between Villages. Technically, all villages who participate in the general chuunin exam, which is a ritualistic battle, are allies. However these alliances are precarious, based on mutual interests and can be changed at any point. These alliances do not include:
1.      Exchanging secrets
2.      Visiting allied towns without permission (It is interesting to note that Shikamaru gave a reason for Temari’s presence. “A date? Not a chance. She’s here for the chuunin exams…”)
3.      Disclosing internal problems 
 
Close Allies?
 
            However, the alliance between Konoha and Suna is different. The leader of Suna, the Kazekage, is on very friendly terms with the Konoha. A future Hokage hopeful, Naruto, is one of his best friends, etc. Would this change the fundamental nature of the treaties? Despite what Chiyo said, yes but no.
            The only thing that has changed is the fundamental nature of the treaty. The treaty is now based on trust and mutual friendship, instead of being an opportunistic and tenuous alliance. For example, Suna would not fear an attack from Konoha if they were to be weakened because Konoha is a true ally and visa versa. This may eliminate option 3, but it would not eliminate all the rules and regulations between villages.
            Despite the fact that they are on friendly terms, they are still two distinct villages. Shinobi from Suna can’t just waltz on into Konoha at any moment for any reason. The same goes for Konoha shinobi. In order for them to visit each other’s villages, a reason must be given. This is to regulate the amount of information that comes in and out of the village, and minimize the chance of spying.
We can surmise this is still the case is because of what we’ve seen in the manga. 

 
1.      Shikamaru gave a reason for Temari being there.
2.      Shikamaru was given the job of escorting her. 
3.      Temari leaves as soon as her job was complete
4.      Team Kakashi arrived to help with Suna permission.
5.      In part 1, when Naruto and co. first run into the siblings. Sasuke asked, “What are foreign shinobi doing here?”
a.       A reason for being there (chuunin exams) was readily given
b.      Papers were presented.
 
Unless something changes, like in future chapters if Naruto asks, “Where’s Shikamaru?” and Tsunade were to say, “He’s in Suna on vacation” there is no reason to believe this basic reality between villages has changed in any way.
           
Another basic reality that has not changed between villages is the exchange of secrets. Sakura’s help in making an antidote for Kankuro was no exchange of secret jutsu. If anything, Sakura was merely assisting Chiyo with what they were already doing. Neither was Naruto’s status as Jichuuriki too shocking, since it was given to the person who sealed off Gaara’s biyuu in the first place. As far as the rest of Suna, besides the Sand Siblings, maybe Baki, and a few in power, Naruto is just a goofy ninja who is Gaara’s friend. There is no new puppet corpse of Konoha, no fan-wielding kunoichi wearing the Leaf’s Emblem, or shadow jutsu users in Suna. In short, all jutsu unique to their respective villages stay in their respective village.
           
Also, this alliance is dependant on the winds of time. Friendship today, in the course of history, could end with war tomorrow. Despite the strong friendship between Gaara and Naruto, there is no guarantee that the friendship between countries would last after their death or retirement. No matter how hopeful and naïve, councils from each country would not be fool enough to share secrets now, under the climate of peace, that may make them vulnerable in the future. 

Edit due to new information 11.25.09

Temari as Ambassador

Read more... )
 
Clans and Family
 
Despite the fact that we don’t see much indication of this in Suna, clans are a very important aspect of life in Konoha. Almost all clans have their own secret techniques, a patriarch or matriarch, and even land reserved for that clan. These clans are based on either secret techniques or bloodlines.
 
Their secrets are jealously guarded and not even disclosed with other members of their village. Someone who is not of the Nara clan cannot learn shadow jutsu, cannot read their medical files without permission, and presumably cannot trample on to their land without permission as well.
 
Since they are so tight lipped with their own Village, why would they allow someone from another village to marry in to the family?
 
The forgetfulness of fanfiction
 
Those who write fanfiction and belong to the fandom in general tend to forget these points. It is not surprising since the age group for this particular fandom is young. It seems that the average age for fanfiction writers is 14 – 21, just young enough for their head to be filled with the sort of romantic fluff that leads to disappointment later on in life.
Not only do they forget the previous points, but they also ignore the logical conclusions such points would lead. 
It is no surprise, since most fanfiction writers don’t attempt to question village/feudal lord dynamics, their political structure in general, or the impact their world-view would have on their lives. I will go as far as saying that most fanfiction writers don’t even write about Kishimoto ninjas (as opposed to traditional ninjas), they write soap operas about people who pretend to be ninjas.
 
Required  p.1 
 
As I explored the possible relationship of Shikamaru and Temari, certain questions came to mind that must be resolved in order to make a believable romance. These questions arose as I looked at their relationship through the lens of their world.
 
Under what conditions would a Village (presumably Suna) give up their shinobi in marriage to another village?
Which village would claim the children of such a union?
Where would they live?
How would you maintain sensitive village secrets of either partner? In other words, how would you stave off the suspicion of espionage?
How would such a couple court?
And the most important of all, which village is more willing to give up a valuable tool and source of income?

In a superficial sense, these questions are easy enough to answer for those who are slavishly devoted to this paring. Question one: if they’re in love. Question two and three: Konoha. Question four: most in fandom wouldn’t even think of this. Question five: visiting (duh?). Question six: um…same as question four.
 
Personal Problems
 
The questions relating to their general lives as shinobi should present some problems with the future of such a union, but there is one problem cannot be overlooked. And there is one very serious problem with their relationship: distance.
 
It has been established that it takes three days to travel from Suna to Konoha. This is three days of almost non-stop travel at their most frantic pace, which entails jumping through the forest and expelling chakra. Taking the more common rout, using the roads and walking, would take a week or more.
From what we have seen about the realities of their job, it is highly unlikely they could simply visit. Let’s see what would impede a simple visit:
 
  1. Duty to Konoha/Suna in terms of missions and jobs
  2. The bureaucracy involving visits (permission and papers needed)
  3. There is also the number of days required for a simple visit – six days for travel and one day to visit – at least.
 
The realities of distance
 
Even if Shikamaru or Temari were given a two-week vacation once a year, this may not be enough to maintain a relationship, much less begin one. Their chuunin exams last about three days. If we are generous and give both Temari and Shikamaru a two week vacation, and we assume they will use this vacation time to visit each other, taking off time for travel (six days each), that would cut down their visiting days to about two weeks total, plus the six days of chuunin exams, it makes it a total of 22 days a year and these days are sparsely spaced throughout the year.
But this is looking at it through American lenses. Let us examine the Japanese culture of work ethic and vacation time and how it would affect our assessment.
           
Japanese work ethic and culture.
 
            Naruto is based off Japanese culture and so it would follow that their work ethic and traditions would follow the Japanese standard. After doing some research, things looked bleak at first. Not only is there a strong emphasis in Japanese culture to group dynamics and work ethic, there is almost no mention of vacation time. But it would be silly to think the Japanese don’t take vacation. They do. And this article by the Guardian is very informative:
 
 
Japanese workers take, on average, only half the 18 days of paid holiday they are entitled to, according to the government. The result is overworked employees - most of them men - who find themselves chained to their desks when they should be at home looking after their family ... or at least starting one.
 
If 18 days are given to Temari and Shikamaru a year then that doesn’t sound too bad. Given that it takes six days to travel (at least!) that is twelve days each, twenty four days total, and thirty days a year if you include the chuunin exams. A month, which doesn’t sound bad at first, until one consideres that it is a month split into four parts and that six of those days are spent in the hustle and bustle of the chuunin exams.  
 
This is how their schedule looks like with thirty days a year split every three months: a week a-half, followed by three days of sporadic time, followed by another half a-week, followed by another three days of a sporadic, hectic schedule.
 
This schedule isn’t so bad, after all, if they’re strong enough. They could wait every three months to see each other without too much complaint. That is to say if they actually take their full vacation time. From what we see in the article, Japanese people don’t.
 
A foundation of sand
 
But there are several things that I hope an intelligent reader has picked up on. Namely, the amount of time spent together is based on the sandy foundation of assumptions.
 
The first is that they are allowed vacation time at all. There is no reason to believe that they are. There is no indication of vacation time anywhere in the story. No one has every taken a vacation, mentioned a vacation, or even hinted that they are taken. Sure, they’ll take a break during a mission and stop at a hot springs, but never has anyone left the village for a “time off.”
 
This means one of two things. The first is that it is a given. Why would you mention something like that? It’s rather mundane. But the problem with that mode of thinking is that Kishimoto shows us the mundane. He shows us bored shinobi watching the gates, eating, sleeping, and even restroom usage. He doesn’t seem to shy away from humanizing his characters. Time off is a way to humanize them. But strangely enough, when time off is taken, it is during a mission. The second Sasuke retrieval arc showed them stopping at a hot springs and the Tsunade search arc showed Naruto at a festival. Both of these cases of rest and recreation are while they’re out on a mission. 
 
The second is they simply don’t take vacations. At first that may seem strange, but if you look at the reality of their job, it really isn’t. The fact is they don’t have a set schedule as most people of the work force. Their job is sporadic. They may work for several days or weeks straight while on a mission, and then have a small amount of downtime between missions, ranging from a day to weeks. This alternating schedule of downtime and work would help them unwind enough, even with their high-stress work, so they don’t actually need a vacation.
 
But that “downtime” is not a set time. There is no guarantee it would be long enough to have the two weeks necessary for a proper trip to Suna. There is the little fact of getting permission to leave the village, permission to visit Suna, and gathering the papers necessary for such a visit. Presumably, that would take about a week of planning in advance. This is not possible under the shinobi schedule anyway, which involves assignment to missions at any moment’s notice while in the downtime. Even if Shikamaru has the time off, would Temari? Would she be off on a mission while he has time off? It is almost impossible to synchronize their schedules under their work environment.
 
Their lives are not scheduled enough to plan ahead more than a day. In fact, we never see any planning for the future at all. We rarely see anything above a vague goal for the future, planning daily outings, and planning for exams. They simply do not have the luxury of scheduling for the future the way most people do because of their work’s sporadic nature. Tomorrow they may be in a mission or at home. If they are assigned to a mission, it may take days, weeks, or a month. The mission may involve extensive travel. Who knows? They certainly don’t. But the one thing they do know is they must be ready at any moment to take an assigned mission. That is their duty as shinobi, after all.
 
Also, there is the assumption that they will be working the same job for years. Who is to say that Shikamaru will always be in charge of the chuuin exams or that Temari will always be the Suna representative? Also, the chuunin exams are held in different villages every time. Who is to say that Shikamaru is always chosen to lead the Konoha ninja? After all, unless he has his own genin team, there is little reason for him to go. When we saw the chuunin exams in Konoha, the only foreign instructors present were the jounin instructors for the genin teams. The fact that Temari is a Suna representative is irregular, and there is no reason to believe Konoha would do the same, or even send the same person to every chuunin exam even if they did. There is also no reason to believe that Temari would always be the Suna representative.
 
The six chuunin exam days of visitation a year are based on too many assumptions to consider it a regular occurrence. The vacation time is simply speculation not based on any cannon evidence. If anything, cannon evidence points to the opposite, of not having traditional vacation time at all.
 
So in the end, what we have is a relationship that is tettering on too many assumptions and irregular occurences to work even in the best of circumstances. Coupled with the fact that they’re owned by their village, and we have a very bad foundation for a serious relationship. 
 
Long distance relationships are hard enough and most of them don’t survive the first year. Even with unusually stubborn people, the likelihood of it surviving three years is small.* But their unusual working circumstances make an ordinarily difficult relationship even less likely.
 
We shall now explore these extraneous circumstances further.
 
*Why three years? I am assuming that nineteen is the absolute youngest age for marriage based on the ages of the parents we’ve seen. They tend to marry in their mid twenties.
 
Resolutions p.2
 
I will now revisit the questions that must be resolved in order for the pairing to work. We will examine each question with the realities of their life and their lack of time together, as extrapolated before.
 
Under what conditions would a Village (presumably Suna) give up their shinobi in marriage to another village?
 
This is a difficult question and I have yet to answer it to my own satisfaction. This is even without taking into consideration espionage, loss of income, or even lack of shinobi that will be touched on later and greatly complicate things. 
 
The only suitable answer is retirement. We have seen that shinobi, once they reach a certain age, are allowed to retire and leave the village. We saw this with Tsunade.
 
However, this age is certainly not their prime: their late teens and early twenties. This is the best time to have children for women, as they are the most fertile. Although babies may be had in their late thirties, it is significantly more difficult. The chances of infertility increase, birth defects increase, and the chances of (premature) babies increases.
 
Why does this matter? Shikamaru is the probable next head of the Nara clan. His duty is to have children. Otherwise, his name, land, medical knowledge, and most importantly, jutsu, would be lost to history.
 
So, it is unlikely for a long distance relationship based on a teenage crush to last the sixteen or so years until she is of age to retire (maybe older?). And when she is, she would be two years older than he and in her late thirties, a time that is not prime for childbearing. Why would a practical man, who now takes his responsibilities seriously, like Shikamaru, wait that long?  
 
Which village would claim the child of such a union?
 
This is another difficult question. With the loss of a kunoichi, you also have the loss of her offspring, the future investment of the shinobi world. Each child is a potential source of income and no village can survive without a good-sized brood of potential candidates. After all, with a failure rate of roughly fifty to seventy-five percent, they need as many candidates as possible to ensure there are enough viable shinobi for the continued existence of the Village.
 
The most prominent family would claim the children of a mixed Village union. This means that the Nara clan, being a prominent Konoha clan, has more social status and so carries the pull to claim the products of such a union.  
 
To better explain this let us examine an aspect of Japanese culture that may not be a part of common knowledge. Usually, as in other cultures, the wife moves with the husband and takes his family’s name. However, in cases where we have a prominent family without any male heir, the eldest girl’s husband will adopt the family’s name and become the heir. In such exceptions, it is the man who marries into the family.
 
The reason I believe the Nara clan to have the most pull is simple, they are a clan with their own jutsu, land and library of information. The Sand siblings, although of ruling line, are not part of a clan. Even if they are, there are two boys to carry on the family line, Kankuro being the obvious next head of the clan. Since that is the case, there is no need for Shikamaru to marry into their family.
 
The most prominent family wins the battle of where the children go, what name they will adopt, and where they will live (which answers the next question as well).
 
But before we continue, consider this, Suna is weaker than Konoha. Their Kage was kidnapped by a man who was spanked by two genin and Kakashi. How open would they be to the idea of giving away whatever future potential a powerful and talented kunoichi would produce?
 
Where would they live?
 
Because of the Nara clan’s pull, they would live in Konoha. This is where the loss of income comes into place. If Suna were to lose Temari in her prime, then the profits she would incur would go with her. If she has not finished paying off tuition costs for herself and others, then it would be considered a lost investment.
 
There is also the fact that she is a valuable kunoichi, strong leader, and very skilled. Why would they allow her to go? If a time of crises arises or if they are invaded, it would make sense to have as many strong shinobi available as possible. One less shinobi is one less source of income and one less available source of protection in times of need. 
 
However, money is no the only thing leaving with her…
 
How would you maintain sensitive village secrets of either partner? In other words, how would you stave off the suspicion of espionage?
 
The only possible answer to this is for her to sign a non-disclosure agreement with her council and the Kazekage (yes, even her brother). As stated before, no council member would be fool enough to exchange information with a rival village, even in times of peace. After all, the peace of today is not guaranteed for tomorrow.
 
Having a kunoichi marry into a Konoha clan would be prime for espionage. Not only is Suna the weaker of the two, and therefore have more to gain from such an exchange, but this fact would not be lost to everyone. Her available status as a spy from Suna would make her suspect by all those except for her closest friends.
 
Despite their outward solidarity, we have seen from the manga that there are wide differences in opinion even with each village. To put it bluntly, it would take her years to walk away from the stigma such a position would produce. To many, she would always be the “spy” from Suna. Peer groups are very important to the Japanese. If a member from another, rival group were to enter and live among them, the stigma they would carry would lot dissipate in a minute. She may never be accepted, as we can see mirrored with the status of foreigners in Japan. They may be liked, but they are never really accepted as one of their own. 
 
Konoha has many shinobi, not just the “rookie twelve,” of various ages and philosophies. Acceptance from the cannon characters, or even the Nara, would not equate acceptance from the village. And as we have seen from Naruto’s treatment, the Hokage cannot force his people to behave nicely. If most of the citizens of Konoha behave rudely to Temari because of her status as foreigner, he cannot stop them. 
 
How would such a couple court?
 
This question has already been partially answered in the previous section, but it requires some further consideration. As it has been written, courtship through visitation would be extremely difficult and sporadic, making their relationship almost exclusively one of distance.
 
That would make correspondence the most logical reply. But how would such correspondence take place?
Despite the fact that they have comparable technology to ours, they don’t use the exact same technology. There are no planes, trains, or automobiles. There are no telephones, although there are walkie-talkies. There are not personal computers, although there are lab computers. The use of technology is so selective, that it is often easy to forget they employ it at all. It seems that Kishimoto decided to eliminate the things he hated about technology and keep the things he liked.

Until I see a telephone, I will assume they are not used. Until I see a personal computer, I will assume that everyone files their papers as they did twenty years ago. In other words, I am a purist. We have seen into their personal spaces and bedrooms and they have all been noticeably absent of televisions, computers, and telephones. Until that day when Naruto is drawn talking on the phone or sending an email, it is safe to assume they are simply not used.
 
Thus this makes the lifeline of long-distance relationships, the telephone, non-existent. The current boon of internet relationships would be out of the question as well. No daily emails would be sent and no instant messaging or pictures would be exchanged.
 
The only possible way for them to maintain as steady flow communication is by letter writing. But we see a problem with this as well. The only type of letter writing we have seen is through carrier birds. There is no post office in Konoha or Suna that would be available for them to quickly exchange mail. This is to be expected, after all, they have much sensitive information and many secrets and the reality of spies and greedy traitors is very real. Konoha would not want to have that information leaking to other parts of the world so it makes sense they would make only one method of communicating with the outside world and it would be heavily regulated. This method is expensive, since it involves the growth and care of living creatures, probably time consuming, and subject to security checks. Using so many resources on love letters seems against the shinobi mindset, regardless of how liberal Konoha may be.
 
In conclusion, given what information we have, it would be almost impossible for them to communicate between meetings. This includes planning rendez vous, general communication, and expressing their affection.
 
And the most important of all, which village is more willing to give up a valuable tool and source of income?
 
The answer to this question would be Konoha since they are the ones with the most money and influence. In essence, they stand to lose the least from an exchange, because they have the most resources. Even though Shikamaru is an important member of his clan, it is a clan that may have more members to replace him. We don’t know if he has cousins or uncles that could take over if he could. After signing a non-disclosure agreement, the more liberal and richer Konoha would send him off to his happiness.
 
Suna, on the other hand, would be in a clear disadvantage if they were to send off Temari, as we have seen, unless she were serving as spy, as unlikely as that would be. After all, they stand more to lose from such a loss. However, Shikamaru’s responsibility to his home and his family, as well as the more traditional mindset would make him moving to Suna the least likely scenario.
 
Growth
 
Despite all of this there would be hope for the couple if Kishimoto had considered a very important aspect of the adolescent mind. It is growth and change. The fact is that people are not at sixteen and eighteen what they are at twenty. Even though the personality is set at that age, there is still a great potential for growth. In essence, the individual is not yet settled.
 
One of the biggest dangers facing relationships is growing separate. Many relationships end because people, long separated, grow apart from each other. This isn’t just romance, but friendship as well. For any interpersonal relationship to work, there needs to be anchor points that hold each person fast to each other, points of similarity and understanding. The more experiences two individuals share, the more anchor points they will share. 

 
As the distance between them develops, and the anchor points become less numerous, there is the very real danger that the individuals in the relationship grow apart. This is especially true with romance. With friendship, the relationship may cool into a casual friendship and maintain itself that way. But there is no gray area with a love affair. 

 
One of the ways that Kishimoto screwed up was having both Temari and Shikamaru going through life-altering experiences and not having either one present at the time. When her brother was kidnapped and dead, Shikamaru was in Konoha and we didn’t even see him concerned. When Asuma died and Shikamaru went on a rampage of revenge, Temari was nowhere to be found. 

 
Those experiences changed them, even if there is no indication of it in the story. They were simply too traumatic not have any effect. For example, Temari may become more protective of her brothers and less likely to leave Suna in the event of marriage. Shikamaru in turn, may no longer be willing to take a demanding woman (it may be that part of the reason Shikaku is stuck with a ‘troublesome woman’ is his complacency, which Shikamaru no longer has) now that the main reason for her complaints, his laziness, is no longer there. 

 
But it may be that such changes would bring them together. However, we have no way of verifying it. For all we know, part of Shikamaru’s charm was his laziness. Who knows, maybe she liked playing mommy. This isn’t an inconceivable conclusion. Neither is it completely out of the realm of possibility that those changes would place them closer together. 

However, because those two events occurred while the other was away, and there is no sign of communication between them during these very important events, we don’t know. They did not share in each other’s burdens. In other words, when they grew, they grew separately and only a blessing of fate (or an author’s pen) that would guarantee their growth would make them closer together instead of apart.
In essence, we don’t know how these changes will influence their future status. Even though Shikamaru is a secondary character, the fact that he got his own arc makes him one of the most important characters of Naruto’s peers, more important than Neji, Lee, and even Hinata (at last for now). If he should get a romance, there should be more development. 

 
Although I do consider it cannon, I find his lack of connection between them in these crucial times to be a severe impediment to a future relationship. This is especially true because they’re in a long distance relationship, rarely see each other, and can’t communicate too much in general.
 
Possible solutions
 
But as many complaints about the lack of feasibility of this relationship, it seems that Kishimoto will get what Kishimoto wants. I devised four separate solutions that although inadequate, may resolve the issue. However, each one of these solutions has a serious problem. These problems have made he rethink even these solutions and I have been left at a quandary. It is probable that others have thought of these as well. 
  

The retirement solution – Shikamaru would wait until she is of age to retire (probably mid to late thirties) to marry her.

Solves:
1.      Problem with eartly retirement and loss of income from Temari
Problem:
1.      Unrealistic romance. 16 year long distance relationship. 
2. His responsibility as future clan head to produce children  

 

The diplomatic solution – She would move to Konoha as a permanent diplomat

    Solves:
1.      Issue of moving early enough for children
2.      Question of how to move to Konoha without retiring
Problems
1.      Suna still has a loss of income unless Konoha pays her
2.      Conflict of interests and trust issues with Konoha shinobi.
3.      Suna will lose future shinobi since they will lose her children
4.      She will not be in Suna in case of emergencies

The dual citizenship solution - This one requires some explaining. It was the first one I came up with. Basically, they would stay six months in each village and their children would be raised in both. At the age of graduation, their children would settle in their village of choice
 Solves:
1.      Issue of marrying early enough for children.
2.      Lost income issues since they would do missions for the Village of residence. 
3.      Trust issue since both village share them
Problems:
1.      Children raised with two different modes of thinking and philosophies.
2.      Expense. They would need a house in each village.
3.      The Nara fields and deer need tending
4.      Conflict of interests intensifies

The bastard child solution – children are born illegitimately

Solves:
1.      Issue of moving to village
2.      Issue of conflict of interest with Temari
3.      Issue of trust with villagers
4.      Issue of money lost in Suna due to her moving
5.      Issue of being of prime age for giving birth
   Problems:
1.      Nara clan would have no proper heirs.
2.      Children would grow away from their father.
3.      The family would be apart. Same distance problems with family as with the couple. 
This plan doesn't solve anything, it just extends the problelm.
                                                           

In the end, I don’t like any of these solutions.

My conclusion: too many “ifs.”

            The problem is the muddle that Kishimoto has made with his world that would not allow relationships to blossom cannot be solved with a few bends to the rule. There are too many rules to bend for it to work out. If he neatly ties the knot, so to speak, without resolving some of these issues, then the story will be unbelievable.

            In order for a fantasy world to work, it must exist within the rules established. These rules give the world a concrete, real feeling despite its fantastic nature. If the author strays too far from these established rules, then what makes the world concrete begins to crumble and the story goes from being a fantasy to a farce. This does not only apply to previously established rules of how charka work and their general mechanics, but social networks and its political structure as well.

            Perhaps I’m being too picky, but regardless, I hope that this opens up some dialogue.

 

Also, I think this proves conclusively that I have too much time on my hands.

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Current Location: work
Current Mood: nerdynerdy
 
 
Kris
25 March 2008 @ 09:32 pm

Deconstruction of a Badass Part 2
His moral dycotomy


Musashi (right) and his rival, Kojiro, sit as equals. Their desire is only for the sword

Character Comparisons  

The Solitary Hero vs. The True Hero 

The reason a badass cannot be considered a True Hero is his attitude. There is something very selfish about a solitary hero that a true hero does not have. Also, a True Hero is at peace. A badass is plagued with a restless sprit, an internal war waging with his mind that is manifested by his need for constant struggle.
 
The one thing all true heroes posses is absolute moral authority. This is because unlike the solitary hero, who follows his own ideas, the True Hero follows a universal set of moral standards. A True Hero values his comrades, has noble goals and intentions, follows and protects the rules society as set, and generally stays in one place.
 
In Japanese Manga, a hero will have an entourage and they will generally seek out people to help. For example, they want to achieve X, so they seek out those who will help him achieve this goal..
 
This is very different from the solitary hero’s mentality. He feels that he is the only one who should do a certain deed. The True Hero will accept help but works alone to protect others. The solitary hero will rarely ask for help and works alone because he wants to.
 
Whereas True Heroes are guided by a sure, set moral compass usually set in place by outside forces, the solitary hero only has his hatred and knowledge that he is correct. The solitary hero is driven by the selfish ambition and lust for revenge, whereas the hero is driven to protect someone.
 
This, in essence, may be the answer to the popularity of the badass in Japanese Manga. Sure, they may lack moral authority, but in a society where good and evil are not as swiftly defined, who is to say an anti-hero is any less good or evil than the villain they are trying to destroy?
 
Goodness vs. Moral conviction 



This brings us to the difference between Goodness and Moral conviction. Both the Hero and the Badass have strong convictions. However, only one of them can be considered truly good.

The reason Dr. Tenma is questionable is not because of his nature, which is good, but because of his motives, which is assassination. Yet he feels absolutely certain of the righteous nature of his action. Because he brought the monster to the world, he is responsible for Johann’s behavior and should be the one to dispose of him. In essence, Tenma is playing God.
 
 Their moral convictions, however strong, are generally flawed and based on their own rationalizations. Goodness, true goodness, escapes them because the source of their morality is subjective no matter how pure their intentions may be.
 
The Solitary Hero vs. The Villain
 
Sometimes, you will hear some guy go “Such and such an guy is a badass!” when discussing a villain. But no villain can be a true badass, the way no True Hero can be a badass.
 
Although the solitary hero may exhibit many of the same behaviors as a traditional villain, what sets him apart is his lack of malicious intent. A badass, no matter how much the anti-hero, will not kill innocent people.
 
Now, it may differ as to his morality what exactly constitutes an “innocent” person. When we first meet Munsu he seems quite the villain.  For example, when the little girl whose mother he saves praises him he replies,
 
“How am I a hero? I just burned down your village!”

Later, when he runs into a village that is under a tyrannical rule of a Feudal Lord, he threatens the villager’s lives and almost kills them if not for the appearance of the Lord’s puppet and his future companion, Sando. His reasoning? They were pathetic swine not fit to live. However harsh his pronouncement, it actually galvanized them to take fate in their own hands. It was they who cut off the Lord’s head. Luckily for everyone else, under the softening influence of Sando, he becomes less morally ambiguous as the story wears on.
 
Even though he is an extreme case and most solitary heroes are not true anti-heroes, it is easy to see why strict moralists would classify a solitary hero as a villain.
 
Another reason the badass is no villain is his methods. Despite his posturing and absolute power, villains hate getting their hands dirty. They will surround themselves with a multitude of henchmen to do the work for them, slink back in the shadows to watch, and run away from unnecessary fights.
 
Now, this is the Manga villain, which is slightly different from the more dynamic and hands-on villain of the American Comic who will have a million henchmen, but not shy away from the scene of the crime. But regardless, the methodology of the villain is antitheses of the badass, who will charge head on into danger and is the king of self-reliance.

 Ultimately, villains are labeled as such because they appear unstoppable and supremely confident in their abilities. However, as time goes on it becomes apparent that such a label was undeserved. Not only does their confidence prove to be its counterfeit, arrogance, but their source of power is also an illusion. A villain diminishes over time, while a solitary hero becomes stronger.
 
One of the ways to illustrate this is how unhinged a villain becomes when cornered. He is confident up to the point where he no longer has any options. Then, instead of taking a graceful bow and dying like a man, like the badass, he generally shows us his crazy face and goes buck wild ala Light from Death Note. 

Another thing that separates a villain from a solitary hero is how they attain strength. A villain will attain strength by taking short cuts, cheating, or leeching power from others. While the solitary hero sometimes cheats to win, he never uses anything but his own methods and strength to attain power. If he is weak, he trains. It's as simple as that.
 
Evil vs. Moral ambiguity 

 
We have the same sort of moral quandary we have with the True Hero. They may share many of the same properties, but they do not fit the bill. The difference is between moral ambiguity and pure evil. Most villains are pure evil and will not hesitate to kill innocents, torture, and use very nasty methods to achieve whatever goals they have. They are too thoroughly consumed by a selfish desire, usually to attain absolute power, to see anyone else. 

As we see with the solitary hero, that name may not fit him entirely. After all, he learns to care for others and derives strength from protecting those that depend on him, even if he hates it. His goals are generally pure, either he is filled with the desire to become the strongest through his own power or to rid the world of some sort of evil nemesis. 

 Although a solitary hero may display what most would consider a very nasty attitude, ultimately, they fall just right of the gray area, hovering somewhere in the realm of goodness.

A badass - Neither Hero nor Villain:
 
In conclusion, what makes a man a solitary hero is not his strength or his conviction, but his moral ambiguity coupled with inner strength. A truly good or truly evil character can not fit the bill because they are either have pure morals, either for good or evil, missing the moral ambiguity, and neither have the brass it takes to be a solitary hero. 

However, he is plagued by the dichotomy of possessing both moral conviction in the rightness of his actions and moral ambiguity. That sort of incongruity of values can lead to very reckless behavior because of his internal conflicts. 

In his heart, the solitary hero knows that both cannot forever coexist. He either bound by the laws he believes in or set in the path of darkness. 

The only way to reach equilibrium is either death or a change of heart
.

Could be that one original thesis of mine is incorrect, that a badass, is in essence, an anti-hero? 
Kyoya Iida, Jiraishin

End of part 2



Deconstruction of a Badass Part 3
His Journey
 


"Hey you!" The first words Munsu speaks to his Nemesis, Aji Tae, after five years

The Journey

A staple with Japanese solitary heroes is the journey. Even when he has a stable location to call home, he is constantly on the move, seeking out whatever it is that drives him. 
            The all-consuming desire to achieve their impossible goal is what drives them forward.
            Generally, these journeys take three different routs: seeking, training, and completing a task.
The searching solitary hero goes on his quest to find something or someone. This is usually their archrival, and the one person they swear to destroy. But, as in Spike’s case, this search can sometimes involve looking for someone they’ve lost.
            The second type of journey is the journey to train. This takes place when their ultimate goal is to become the strongest. The wandering samurai generally fits the bill. They will seek out powerful adversaries and fight them until they are acknowledged as the strongest in their field.
            The third type of journey, and the most rare, involves completing a task of some sort, such as the wandering swordsman who is sworn to destroy Akuma (evil spirits) or something to that nature. The reason this is such a rare journey for the solitary hero is because it goes against his desire to rebel and live his own life. But it can work very well with the no-nonsense cop, as an oath to a dead friend, or as a cover for another task. Both the oath and the cover are present in General Munsu’s case.
            Whatever the reason for the journey, it is a fundamental part of the badass. You can’t be a solitary hero and stay in one place; that is for certain.
 
The Nemesis 
 


            Another common theme with the badass are the adversaries, and in some cases, the nemesis. In cases where the journey involves seeking out someone in particular, this is almost always the Nemesis. He is the Vicious to Spike, the Aji Tae to Munsu, the Griffith to Guts, and the Johann to Dr. Tenma.
            But in cases where the journey involves the quest for strength, the adversary is no less present. He is simply secondary. In those cases the one who bares the title of Nemesis is the current challenger, and can changes with each opponent until he battles the Main Rival.
            This Main Rival is the one who will cement the solitary hero’s status, but the solitary hero has not lived up to the moment of defeating him, but rather up to the moment of gaining the status after the defeat. In these cases, it is not hatred that fuels him, but ambition. Even Mugen, who shares the secondary character status with Gene, falls under this category. He doesn’t hate Gene, but Gene is the next opponent he must face before continues his life’s goal of becoming the strongest.
            In the rare cases where the life’s goal is to complete a task, such as Wolfwood’s quest to make money for his orphanage, there may not be a clear adversary at all. The adversary may be transient and based on the job or himself. The cop featured on the top of pt.1, Kyoyo Iida, his constantly challenged by criminals who are generally on par with his skill. When there is no clear adversary, it is generally himself he fights, as in the case of Wolfwood who is burdened by his job as an assassin and traitor and his desire to serve others and God as a man of the cloth.
            When a Nemesis is present, he is almost always hyped up beyond belief. Either he is a super genius, an immortal, or even a god. Given the metaphysical nature of Manga/Anime, he is almost never a mere human. It is a very rare case for the badass to be his equal. Their goal of killing the said person is supposed to seem insurmountable.
 For example, I have no idea how Guts is supposed to defeat Griffith. Not only is Griffith a god and immortal. But when Guts meet with lesser beings, the Disciples, he doesn’t even bother trying. They are much too strong. Meanwhile, the Fallen Disciples refuse to fight the godhand because the godhand is too powerful… 0_o
 An example of an exception, where the Nemesis is an equal, would be Vicious and Spike, who are considered equals but opposites in temperament and skill, as portrayed by their weapon of choice: the Sword vs. the Gun. However, even in the case of Vicious, he had a crime syndicate backing him, whereas Spike simply had himself. In the end, he was still handicapped. 


The Companions


All solitary Heroes are plagued by one thing: Unwanted Companions.
 
Unwanted because the Solitary Hero would always rather work alone. Still, in the spirit of their journey, the end up gathering companions that help him out along the way whether he wants them or not. These companions don't have to stick around indefinitely, and may appear from time to time when they're needed.

In the case that the badass is actually a part of the group, he is almost always forced into the group because of external forces he cannot control. Either he is tricked into joining them, he is following them around because they will help him achieve a goal (in this case, it is generally to fight the alpha male of the group), or because of secondary reasons he will not reveal until later.

When the Solitary Hero is actually the main character, these friends will show up one after another, generally getting their own introductory arcs. These friends fall into two categories, the Faithful Companion and the Sporadic Companion. Often times, the Solitary Hero will have both. The Faithful Companion will always be around the hero, while the Sporadic Companion only shows up when he is needed, either he is summoned or by happens chance.

These companions follow him around regardless of how much he wishes to be left alone. After a while, the solitary hero may get used to having them around and even value them as friends. However, he is rarely ever comfortable working as a team like regular "shonen" hero and will almost always try to fight the Nemesis by himself. 

 At any rate, these companions generally fall under these categories: 

The Woman: female group member or partners. Usually only one per group, but in some rare cases the guy actually has a harem running around with him (Guts - three women last I checked). The woman is usually, but not always, the love interest.

The Child: an underage individual who is almost always an orphan. This character is generally a dead weight character, used only as an emotional anchor. Commonly the first companion to join.

The Animal/Cute: an animal or magical creature who follows the hero around. This character generally doesn't add anything to the story line, is heavily associated with the child character, and is merely there to act cute or be comic relief.

The Equal/Partner:
 Individual who is very strong (to the point of being an equal) in his own right but usually not in the same field as the main hero. They generally work together well and have a fairly harmonious relationship.
The Equal/Rival: Individual who is very strong in his own right or in the same field as the SH. They are rivals who generally have a tenuous relationship at best.

The Misfit: 
This character is generally funny looking, humorous, and the comic relief. He can sometimes be the foil; being everything the solitary hero is not (cowardly, fat, short, etc.). Almost always a running gag. He is generally useless, as part of his charm is that he causes more trouble that he's worth.

In a few cases, the Misfit’s behavior is not actually funny but destructive, fulfilling a darker role as a minor antagonist. When this happens, the misfit’s attempts always backfire; causing the misfit harm, and the misfit becomes a sad example of the degenerative nature of vice and folly.

The least common Misfit is the useful one. He is the Misfit because he is really weird, funny, clumsy, and/or socially inept.  

The Wannabe: Often times also the Misfit, but not necessarily. The Wannabe could be someone who may or may not be strong yet always tries to fill the role of the "rival" to no avail. He is also used for comic relief.

Naruto example that may help: he would be the "Suigetsu" of the group.
 
The Mentor: Older character whose main job is to set the badass straight. Considering the personality of a badass, this guy has his work cut out for him. Generally mystical in nature, they are portrayed as priests, monks, wise women, or in more realistic settings, college professors or doctors. In rare cases, the mentor is also a parental figure.
Note: They are not always good. At times, the Mentor is actually their source of corruption. An example of this would be Wolfwood’s mentor, Priest.  

Each of these characters seem to be made specifically to whittle away at the Solitary Hero’s natural negative tendencies in an attempt to make him a better person. His negative tendencies are selfishness, lack of emotional connection, lack of desire for friendships and companions, impatience, irresponsibility, and a desire not to work or be a part of the team.


Here I will list the various companion tropes with the negative personality trait they are supposed to “fix.”

 

Woman: Especially when used as a love interest, this character will open up the Solitary Hero’s ice-coffin heart.

Child/Animal/Cute: Selflessness/Paternal love.

Equal Partner/Rival: No one, no matter how strong, can go it alone.

The Misfit: Depends on the type of misfit, these characters tend to foster tolerance, patience, and forgiveness.

The Wannabe: Patience and a sense of humor.

The Mentor: This guy is used to curve his rebellious nature, especially when (if he is a positive influence) said Mentor is always right.

Considering the nature of the Solitary Hero, these lessons remain unheeded more often than not.

The actual role and usefulness of each trope depends on the series. For example, a misfit is a humorous companion. Generally funny looking, having tendency to create more trouble than he's worth, this character is usually dead weight. However, he need not be completely useless. The woman can either be completely supportive, or in rare cases, like in Shin Angyo Onshi, also the partner.

One trope is actually split into two separate sub-categories: the Equal. Almost all Solitary Heroes have an equal in some way although not necessarily in the same field. That is to say, he may be the brain to his brawn. Generally, this person is used to remind the badass that he cannot go it alone, as the Equal fills whatever gap there may be in the SH's armor. However, this relationship may or may not be harmonious. There are times when the "friendship" between them is filled with conflict and rivalry.
Therefore, the Equal is a Partner (a) or Rival (b), depending on how the two get along. Once in a while, am Equal/Rival becomes an Equal/Partner as the series progresses.  The Equal is generally a personality foil.

These tropes are also not mutually exclusive.
In Vagabond, Musashi's Misfit/Wannabe is the same person: Matahachi.
In Cowboy Bebop, the misfit is also the child: Edd

Although in most cases, only one character is fills a particular role, it is not uncommon for multiple characters to fill one role. As stated before, Guts has an entire Harem following him, with only one having a hybrid role.

Some Solitary Heroes are plagued with Faithful Companions, while others are plagued with Sporadic Companions. There may be a correlation between the nature of the Hero's quest (seeking/training/task) and the companion types he attracts. 

Examples:


Cowboy Bebop: 

Hero: Spike Spiegel - Attracts Faithful Companions
Quest Type: Seeking
Nemesis: Vicious
Partner/Equal: Jet Black
Faithful Companion 
Woman: Fay Valentine
Love Interest: No.
Faithful Companion
Animal: Ein
Faithful Companion
Child/Misfit: Edd

She is a useful Misfit.
Faithful Companion

Cowboy Bebop is a bit rare as each of the companions is useful and not even Ein the dog could be considered "dead weight."

Vagabond: 
Hero: Musashi Miyamoto - Attracts Sporadic Companions
Quest Type: Training
Main Rival: Sasaki Kojiro
Equal/Rival: In this case it is his Main Rival, Kojiro. This is an extremely rare case when the Main Rival also a Sporadic Companion. When they were young they fought together in battle. Later on in life, they live with the same old couple and Kojiro (incidentally) trains Musashi. 
Woman: Otsu
Love interest? Yes
Sporadic companion against her will.
Musashi tells her to bugger off more than once.
Child: Joutarou
Sporadic companion against his will.
Musashi ditches him on several occasions.
Mentor:Takuan Soho
Buddhist Monk
Sporadic companion
Misfit/Wannabe: Matahachi
He is both a dark misfit (self-destructive) and a humorous misfit. It depends on the arc.
Sporadic companion


The begining of their Journey
Badasses in Training
 

The journey for a solitary hero begins long before he is established as such, in his mid-teens.
A boy who is not over twenty-one (or so) but exhibits many of the traits of a badass is not a true solitary hero yet, but one in training or a complete fraud. Although his true status cannot be known until he is older.

Many times, stories that contain solitary heroes will begin when they are young, and they don't actually achieve their solitary-hero status after a period of growth, and then become a true hero in the end. This is the story of Musashi in Vabagond, but I digress. 

I will present some examples of solitary heroes in training: 

Kanda from D-Grayman. Morally ambiguous although fights for the good guys (treats others like garbage), loner, secret goal, supreme confidence in all situations, has never shown fear or pain. Age: 17

Thorfin from Vinland Saga.  Has no problem killing people but is not ruthless, loner, lives for revenge. Age: 13


Can one divine growth?

Can we judge a character's future by the actions of the present? In most chases, fiction is predictable enough to do so. But in these cases, it's impossible to tell until he reaches the prescribed age (which I gave as 21, but it could be younger) because of necessary life experience. To better illustrate the point, I will present two characters who could go one way or another.  


SasukePunkTraining
- took shortcuts to achieve strength 
- shows no interest in women 
- arrogant 
- displayed fear in the face of death 
- asked for companions
- moral ambiguity
- necessary companion types
- singular goal 
- solitary  
- self righteous

ShikamaruPunkTraning
 - very little moral ambiguity  
 - has many friends 
 - no inclination to travel
 - asked for companions
- confident
- peerless 
- has a love interest
- necessary companions
- singular goal 
- self righteous

Sasuke


 
As you can see, there are many reasons why he could be a real badass in training. Not only does he have the potential of becoming peerless in his field, but he is also now a formidable opponent. He does not show fear in the face of danger. He has taken on multiple high level opponents and vested all of them, even if it was due to some extraneous circumstances. 

One of the interesting things about Sasuke and his status is that he left on a journey to kill a certain man, a common trait of solitary heroes, and underwent training to do so. Although some of his methods were less than honorable, he has done what he could to stay away from the dark side completely - at least for now. 

The problem with him, and why I hesitate to call him a badass in training, is his arrogance and the fact that he wants to be seen as such. It's almost as though he read this essay and decided to follow all the prescribed elements to a tee. 


But there are cracks to this image. 

The first thing is that his ability is innate. No true badass has innate abilities, rather he works until he can be considered the best. Sure, they may have unusual strength, courage, or wits but nothing to the extent of his gift. His eyes that can see someone's movements before they're made, chakra levels, and copy moves after just one view is an instant power boost. Whoever fights even a moderate sharingan user is at a severe disadvantage.

But the most damming aspect of his journey is his means of gaining power. Solitary heroes work themselves to the bone to be the best. He took drugs and sold his soul to grow in strength. Solitary heroes don’t take short cuts. That's not the path of a badass. It is the path of villain. 

Then, there is also the reason why I call his attitude arrogance and not confidence. Not only does he suffer from a myopic hypocrisy, calling others traitors when he himself is a traitor and scolding people for using people as merely objects when he does the same, but his confidence breaks apart completely when he is faced with certain death.

There is something very distasteful about his attitude. He isn't confident in himself, he is confident in his family's abilities. Whenever he spouts off about how great he is, it’s always about his sharingan and his family lineage. No matter how strong or confident he may appear, there is something rank of cowardice in hiding behind his family's herritage for power. As one of Musashi's advisaries said before his last fight, "I used to hide behind my father's name to incite fear...but no longer..."

But may be I shouldn't be so harsh. After all, he is merely a kid and still training. Musashi ran away from death in his early twenties, before coming back stronger than ever. 

Shikamaru



Shikamaru is an interesting case because most people would not place him in this category at all. But there is reason to believe that he is a badass in training in his own way, even if it is as a secondary badass. He doesn't start with that potential at all, but he seems to have gained it after he experience a loss of his teacher, Asuma. Shikamaru then is consumed with the single-minded goal of killing of his nemesis and avenging his sensei's death. 

There are several points to consider. The first is, that although he gathers companions to do it, they are like Sasuke's companions and only there to distract any opposition. He has every intention of fighting his nemesis by himself.  The second is that seeking revenge goes against the dictates of his village. 

The moral ambiguity is his quest for revenge. His solitary fight against Hidan is also against the dictates of their village, which values cooperation. Friendship and camaraderie are esteemed values. To go against them and fight a high-powered villain all on his own is unacceptable in Konoha. Also, there are questions as to whether his quest was blessed by the Leader in the first place. Did she merely let him because she knew he couldn't be stopped? Or did she ask him to go do it. 

But there are several things that would cancel out his status. The first is that once the revenge was done his status as a badass in training may no longer be valid. After all, he no longer has any need to journey and become stronger now that his revenge is complete. He may just stay put. Also, he may not be the most sociable person, and even a little rude, but he is by no means a loner. 


Punk or badass in training? 

So, the status for both of them is in the works. For the final verdict, we would need to see how they turn out in ten years. However, I don't think either will become true solitary heroes. Sasuke is much too corrupted and cheated for power, while Shikamaru is too influenced by the values of his village to attain a true badass status. Alas, I shall conclude my analisys by stamping them both as probable punks.  


However based on attitude alone, I say that Shikamaru is a badass in training and Sasuke is a punk. But hey, maybe that's just me.  

 
The end of their Journey  

 
The end of their journey almost always meets in death. There are very few examples, except perhaps the cases where he must prove himself strongest, where the solitary hero does not meet a tragic end.
 
Part of the reason for their untimely deaths is their moral ambiguity coupled with their reckless lifestyle. These characters think nothing of their lives and seem to want to die young. They are consumed by their own apathy and shortsightedness. Their lives are as quick and brilliant as a flash of lightning. This is especially true when the goal is to dispose of their Nemesis. The mortality is inversely related to the strength of their Nemesis. Despite this tragic ending, they almost always achieve their life’s goal.
 
In the rare case where the solitary hero does not meet an untimely end, there is generally a feeling of emptiness at the end of the story. Whenever the solitary hero lives in the end, it is generally the end of his status as a badass. He hangs up his spurs and finds a new meaning in life.
 
This is not as tragic as it sounds. In some ways, this is the best of endings. Although the badass is admirable, he has many faults. His selfishness, his reckless behavior, his pompous attitude, and the like should be improved if he is to grow as in individual. Although the badass is an adult, he is still young and there is a sense of immaturity about him.
 
In these cases the True Hero may rise from the ashes.
 
Conclusion
 


I started this essay to analyze my favorite character archetype. The solitary hero seems to be a staple of history, mythology, and modern culture. He is both to be admired and reproved. While he excells in courage, intelligence, and strength his faults are all too glaring. His habit of placing himself in dangerous situations, coupled with a general disdain of life, generally lead to an empty end or death. 

Despite his many super human qualities, both in personality and skill, the solitary hero is the most human of ideals. Unlike the true villain or hero, he is not an idealized moral standard. Instead, like  us, he has many faults that humanize the character. This is especially true with Japanese manga, as Japanese authors seem a little less affraid to make their solitary heroes introspective, contrasting greatly with their American counterparts. 
 
In the end, you can love them or hate them but they’re here to stay. Beware: they don’t care what you think. They’re just here to kick some ass. 

AN: 
I hope you liked my essay. Although it wasn't meant to be too serious, it would be nice to know your thoughts on the subject.  
Thanks to all those who have shared their thoughts thus far, as constructive criticism is always welcome. Imporovements have been made because of them. 

Edits: 
Finished the companion's section at last! 
Lowered the age of Badasstry to 21. 

Note: 
I host all my images in Photobucket, which means there are some who may not be able to see them due to firewalls and such.

~OP 


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Kris
23 March 2008 @ 09:45 pm
Deconstruction of a Badass Part 1
General personality and common traits. 


Kyoya Iida from Jiraishin

 In this series of essays, I will attempt to deconstruct my favorite character of fiction and history: the badass. Although it may seem like a silly title, they are not quite the "anti-hero," which is what they are most of the time, but not always so it doesn’t quite fit them. They are also not the true hero, which is generally a man filled with altruistic motives and unlimited strength. A badass is in some ways more human than the true hero, but in others he is just as idealized.

The alternate title I came up with “solitary hero,” to spare myself from writing “badass” throughout the essay. It just looks silly.
 
However, I will use both terms.  

Although the solitary hero is a figure in almost all civilized cultures, and very ingrained in American society, the focus this article will be on the Japanese badass as portrayed in Manga.


I hope you enjoyed this first installment of this series. I believe it is going to be a two-parter, but it might be three parts. 

~Kris
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Kris
18 February 2008 @ 05:23 pm
You know you've finished a good story when the feelings the end produce linger like a delicious after taste.

I don't know how it is with everyone else, but I know I've read something I've thorougly enjoyed when I can feel it affecting me long after I have set the book down, closed the web page, or turned off the movie.

In all honesty, I don't think I will ever write stories like this.

The best manga I have ever read:

http://www.onemanga.com/Monster/

This isn't just a good manga, it is a good story and it differs greatly from most manga out there.

The characters aren't a bunch of adolescents in high school who gain magic powers. There is no magic at all or aliens or anything pseudo-scientific about it.

It is a refreshing Mystery/Suspense story that is set in Germany and although the main character is Japanese, most of the characters are German and Czech (sp?), and a few here and there from Vietnam and Turkey.

I have never read, watched, or even thought of a story where the villain was both thoroughly evil and able to invite sympathy.

I still have tears in my eyes.

I recommend everyone read it, even if you don't like manga. The only impediment to your enjoyment would be if you absolutely hate reading comic books.

When I read stories like this, I feel all my dreams being dashed to the floor. There is no way I could come up with something this good. But, I don't care though, it is good. ^_^

Which one....which one was unwated?

~kris

ps. Oh yeah, you read right to left. ^_^
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Kris
03 February 2008 @ 04:44 pm
After forty-two chapters!
Photobucket

CaoCao!

And boy does he look cool!
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Kris
27 January 2008 @ 04:23 am
So you've been following a serialized story for quite some time, and you think you have the rhythm down pat. The author is predictable and not all that gifted. He certainly isn't intelligent enough to realize he's created characters that are a little above his league (Shikamaru with the IQ of 200, but I digress). But still, there is something about the story that intrigues you, a charm, if you will.

Perhaps it is how blatantly traditional it is, borrowing from folklore of his land and creating a very unique, foreign world, with all its quirks and charms of another culture without falling into Sojou sentimentality.

[For all those normal people out there, basically, the world is traditional for another culture, let's say LORT and faux British middle ages. And like Middle Earth, it is romantic and nostalgic without falling into the Victorian trap of feminine, romantic sentimentality. But maybe I'm just immature.]

The world becomes fascinating and predictable enough that you begin to write stories surrounding it and what other lands could be like, and other cultures could be like and the future of its characters. It is all plausible and within the realm of possibility, you think, because you have it all figured out.

And then...

The author pulls a fast one on you.

Out of some dark corner of his mind, he spawns the unthinkable, throwing a giant monkey wrench into your creations and rendering them obsolete. All that work, all those hours, and now your story is no longer plausible, but AU (alternate universe). It could never happen, you were sure.
However, now, all your preconceived notions are completely gone. There is no way anyone saw this coming... not even the most jaded and cynical of the fandom.

As a purist, you cannot tolerate this. Sure, you've taken a few liberties here and there, introducing the possibility of foreigners in the "border lands," having merchants trade with unnamed countries, and creating new techniques, but all of these things don't alter the flavor of his world.

So...it puts you at a stand-still. Do you continue as it is and just shrug it off? Or do you alter your story dramatically?

Seriously, after reading the latest chapter, I feel like I've been hit by a truck. All of my preconceived notions have been dashed to pieces. It was Friday when I read it, and I'm still recovering. John, I think you know of what I speak.

Congrats, Kishimoto. You have honestly surprised me. Now, what to do with my 100K piece of fanfiction that is now obsolete.

...

0_o

~kris


Itachi, the bastard I want to see 6 feet under >.

Itachi, you crazy bastard. From a bland, uninteresting villain only meant as a drive for one of the main characters, you've become one of my favorite villains in the story. You managed to become the craziest as well.

There is no good in you.
I hope you die.

Congratulations.
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